Theatre and Dance

2015 - 2016 Productions

The Department of Theatre and Dance 2015-2016 Season presents ground breaking works!

Our 2015-2016 season features productions that are new, innovative, and ground breaking. Starting in the fall, come witness the world premiere of Migdalia Cruz's Latins in La-La Land, directed by Jimmy A. Noriega. Our Fall Dance Concert, directed by Kim Tritt, will showcase exciting and diverse from the students and faculty. In the spring, the Festival of New Works, directed by Shirley Huston-Findley, will present the new and original work from student playwrights, directors, performers, dancers and designers. We'll wrap up the season with an electronic opera based on the Story of the Holy Grail, Sangreal, written by Peter Mowery and directed by Shirley Huston-Findley.


Latins in La-La Land
By Migdalia Cruz
Directed by Jimmy A. Noriega
Freedlander Theatre
October 29, 30 & 31, 2015

World Premiere

Fall Dance Concert
Directed by Kim Tritt
November 19, 20 & 21, 2016

This informal concert showcases the work of student choreographers, dancers and lighting designers. I the intimate setting of Freedlander-in-the-round, audiences come face-to-face with contemporary modern dance.


Senior I.S. Productions
February 3, 4, 5, & 6, 2016
Freedlander Theatre

Original and innovative performance works by senior theatre and dance majors. Each work presented is a required component for Senior Independent Study.

Festival of New Works
Directed by Shirley Huston-Findley
Shoolroy Theatre
March 2, 3, 4, & 5, 2016

Student playwrights, directors, performers, dancers and designers will showcase their talents at our third Festival of New Plays

Sangreal: An Opera
Opera by Peter Mowrey
Based on the Story of the Holy Grail                                                                                       Directed by Shirley Huston-Findley
April 14, 15 & 16, 2016
Freedlander Theatre

Seven characters from different times and places find themselves in a surreal landscape, each seeking the Grail. But what exactly is the object of their quest? How is it achieved, and who will prove worthy? These questions lead the seekers into inevitable conflict with each other, eventually culminating in violence. Hope still remains for healing, redemption, and wholeness - but what, or who, must be sacrificed?

Tho composition of Sangreal is supported in part by a grant from the Luce Fund for Distinguished Scholarship.