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Degrees

  • B.M., The College of Wooster
  • M.M., Butler University
  • Ph.D., University of Oregon

Described as “movingly lyrical” (Avant Music News) and “quirky but attractive” (The Art Music Lounge), the music of Cara Haxo (she/her/hers) juxtaposes delicate, sparkly textures with the gritty and the grotesque. As the winner of the 2022 National Women’s Music Festival Emerging Women Composers Competition, Haxo was commissioned by Women in the Arts, National Women’s Music Festival. The resulting work, Remember for mezzo-soprano soloist, unison choir, and orchestra on a text by Joy Harjo, was premiered at the 2022 National Women’s Music Festival in Middleton, Wisconsin. Haxo was also awarded the 2019 International Alliance for Women in Music Libby Larsen Prize, the 2013 National Federation of Music Clubs Young Composers Award, and the 2013 IAWM Ellen Taaffe Zwilich Prize. She has received additional commissions from the May Festival Youth Chorus, Hub New Music, Quince Ensemble, and Splinter Reeds, amongst other ensembles. Recordings of her music have been released by New Focus Recordings, and her arts songs are published in the NewMusicShelf Anthologies of New Music.

A native of Massachusetts, Haxo earned her Ph.D. in Composition at the University of Oregon, where she worked as a Graduate Teaching Fellow in Music Theory. Her dissertation, a song cycle for alto and chamber orchestra entitled Pretty Pretty Princess vs. The Underworld, is a gothic, fragmentary fairytale retelling of the Orpheus myth on texts by poet Emily Corwin. Haxo also holds an M.M. in Composition from Butler University and a B.M. in Composition and Theory from The College of Wooster. Her teachers have included Robert Kyr, David Crumb, Michael Schelle, Frank Felice, Peter Mowrey, and Jack Gallagher. She previously taught private piano, theory, and composition lessons through the Butler Community Arts School in Indianapolis, and courses in composition and theory as an Adjunct Instructor of Music at Notre Dame College (Ohio).

Haxo is a Visiting Assistant Professor in Music at The College of Wooster, where she teaches courses in music theory and composition. She is also an Academic Dean and faculty member for The Walden School Young Musicians Program in New Hampshire. For more information, please visit www.chaxomusic.com.

Courses Taught
  • MUSC 10100 – Music Theory I
  • MUSC 10200 – Music Theory II
  • MUSC 20800 – Acoustic Composition
  • MUSC 30200 – Form and Analysis
  • MUSC 30400 – Counterpoint
  • MUSC 31100 – Seminar in Music Literature
Publications

Recordings:

  • “Exercices” included on Splinter Reeds’s album Hypothetical Islands (New Focus Recordings, 2019)
  • “Three Erasures” included on Quince Contemporary Vocal Ensemble’s album Motherland (New Focus Recordings, 2018)

Scores:

  • “Alone” included in NewMusicShelf Anthology of New Music for Baritone, Vol. 1, curated by Michael Kelly (Astoria, NY: NewMusicShelf, Inc., 2018)
  • “Im Harren” included in NewMusicShelf Anthology of New Music for Mezzo-Soprano, Vol. 1, curated by Megan Ihnen (Astoria, NY: NewMusicShelf, Inc., 2018)
  • “without.” Rockdale, TX: T.U.X. People’s Music Publishing, 2019.
Awards

2022 National Women’s Music Festival Emerging Women Composers Competition Winner & Commissioned Composer

2019 International Alliance for Women in Music Libby Larsen Prize

2019 University of Oregon School of Music and Dance Award of Excellence as a Graduate Employee in the Areas of Academic and Classroom Teaching

2019 University of Oregon School of Music and Dance Outstanding Graduate Scholar in Composition

2018 The Walden School Patricia Plude Faculty Fellowship for Excellence and Innovation in Musicianship Teaching